Showing posts with label East Midlands
27 September in , , , , ,

Quick Guide to Pick Your Own Pumpkin Patches in the East Midlands.

Hands down one of my favourite activities to do once Autumn arrives and the first to do in October is Pumpkin Picking. Visiting a pumpkin patch has become increasingly popular over the years with many people gathering to pick the festive decoration for their homes.

I wanted to create a post of some of the best places to pick your pumpkins in the East Midlands in 2022. Pumpkin picking is a fun, outdoorsy activity you can enjoy with your family and friends. 

*please note* I am still waiting on information confirmation on some of the locations.

Cattows Farm, Leicestershire

Leicestershire

This is the patch we have been visiting for the last five years to pick our pumpkins, we love it here and the events here expand year on year! 2022 is set to be just as good as previous years for this Leicestershire farm.  Halloween Farm will be hosting a variety of events across the month of October. 

Address: Cattows Farm, Swepstone Road, Heather, Leicestershire, LE67 2RF

When? Open from 1st October until 31st October, 7 days a week. 9 am to 5 pm. 

How much/do you need to prebook? This year Cattows Farm are operating a booking system for entry into Halloween Farm. Admission rates vary depending on the date, some prices start as little as £2. Parking is free and children under 1 are free of charge. You can book a morning or afternoon slot and stay as long as you like! There is so much on offer this season so you need to check out the website for further information! 


‘We are a local farm specialising in the growing of Pumpkins. We grow 7,000 pumpkins and grow the largest pumpkins in the area.’

Address: Snarestone Pumpkin Farm, Lodge Farm, Measham Road, Snarestone DE12 7DA

When? Sat 8th-Sunday 9th, Sat 15th-Sunday 16th, Tues 18th-Wed 19th, 21st-31st October

How much/do you need to prebook? You do not need to book to visit Snarestone Pumpkin Farm. They charge on size and not weight and visitors are encouraged to wear face masks whilst visiting the farm.

“Wymeswold Fruit Farm is a traditional family run farm, spanning three generations, located on the outskirts of Wymeswold.”

Address: Wymeswold Fruit Farm, Wide Lane, Wymeswold, Leicestershire LE12 6SE

When? Open every day until Halloween

How much/do you need to pre-book? Waiting for more definitive information on 2022 pumpkin picking at this location. 


"In May 2020, James and Peta launched Rutland Pumpkins - planting 8,000 pumpkin seeds on a field adjacent to James’ sister Abigail’s business, Live Lab, which provides grain, feedstuff and soil analysis for farmers across the country. We were delighted with how many people came to see us and cannot wait to see you all again this year!"

Address: Flitteriss Park Farm, Oakham LE15 8LW

When? 15th,16th, 20-29 October: 10am - 4pm 30th October: 10am - 1pm

How much/do you need to pre-book? Booking is necessary and costs nothing, it helps manage numbers attending the pumpkin patch. You can book your slot here.


Derbyshire

"A pumpkin picking patch with thousands of pumpkins, Halloween trail, and daily spooky shows, there’s always something frightening for you to enjoy! It's back, bigger and better than ever before!"

Address: Brunswood Farm, Locko Road, Derby. DE21 7AR

When? 23-31 October

How much/do you need to pre-book? You need to book for this pumpkin patch. Tickets are limited, book now!


Address: Lime Farm Mansfield Road, Derby DE7 6JU

When? Begins on 2nd October. Please see the website when booking to check availability before your visit to Mr Pumpkin. 

How much/do you need to pre-book? Book your ticket here.


Nottinghamshire

“Join us at Maxeys Farm Shop for our famous pick up a pumpkin festival. Plenty of activities, food, spooky gifts and the award-winning farm shop.“

Address: Hockerton Road, Kirklington, Notts, NG22 8BP

When? Open from 8th-31st October everyday!

How much/do you need to prebook? You do not need to book to attend this pumpkin patch. Admission is £2 per person (off peak), under 16's free. To attend during their peak time it'll be £3 per person with under 16's free. 

“Set in the rolling Nottinghamshire countryside a few miles north of Nottingham, this family-run ‘Pick Your Own’ has 1000’s of pumpkins, squashes and gourds for you to choose from. There will be delicious food by Rocket Dogs and Little Schnauzer Coffee Company. Sorry, no dogs.”

Address: Haywood Oaks Ln, Blidworth, Mansfield NG21 0PE

When? Everyday from 14th October.

How much/do you need to prebook? There is no need to book and they have free admission and car parking.


If you’d like to work with me on featuring your business in the East Midlands, drop me an email at carpediememmie@gmail.com

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09 December in ,

Christmas at Wollaton Hall, Nottingham.


Christmas isn’t going to be the same this year but I have been desperate to bring a little sprinkle of festive joy to this time of year, somehow. That’s where Christmas at Wollaton Hall came in. The gorgeous park has been transformed into a light spectacle like no other for the first time ever this season. The people of Nottingham have a real treat in store with this one. It was a great alternative to plenty of other activities we would have otherwise been doing during the festive season.

Light Up Christmas is an original new spectacle for Wollaton Hall created by renowned lighting specialists DBN Audile in collaboration with award-winning outdoor arts company Walk the Plank.  

The experience takes you on a discovery through four magical lands which have been specially designed to fit into the natural landscape of the Hall and Gardens. The trail is definitely suitable for visitors of all ages. Young people will be captivated by the visually stunning multi sensory experience of light, fire and sound that Christmas at Wollaton has to offer. It has the seasonal classic atmosphere, injected with a contemporary twist.

We arrived at the location for our 7:30 booking where we spotted quite a considerable amount of people heading towards the start of the trail. Throughout our visit we definitely felt it was far busier than we had anticipated and with very little people considering the “social distancing” rule but it didn’t distract us from our experience. I just felt like there could have been more consideration from members of the public.





It took us around an hour to complete the trail, navigating through the clear directions through the various worlds. There’s an opportunity to grab a hot drink at various intervals through the trial, great if you want to enjoy a festive beverage on your visit. Of course I went for a hot chocolate.

Christmas at Wollaton has a breathtaking finale that will definitely wow you! We stood for a long time marvelling over what Wollaton Hall had to offer for their finale.






I thought this event was a great alternative and would be eager to visit again. It definitely helped me to get into the “festive mood”. There is also a handful of food vans available at the end of the trial and a small gift shop if you want to grab a little something to remind you of your visit.

Our tickets were around £16.50 per adult which we thought were an ok price for the trial. I expected more on offer and felt we spent a lot of time walking between the worlds with nothing to experience. I think there’s room for improvement if it makes a return next Christmas, but still considerably good for their first year.

Tickets are available to visit Christmas at Wollaton until 6 January 2021. You can book them and find out more about the event, including their Covid-19 Safety Policy through their website.

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07 March in ,

REVIEW | The Phantom of the Opera UK Tour


The Phantom of The Opera
Curve Theatre, Leicester 
★★★★★

2020 is the year that one of the most successful musicals of our time, Phantom of the Opera embarks on an exciting UK and Ireland tour. Some astonishing facts about this production include that it has been played to over 140 million people in 35 countries in 166 cities across the world. The box revenues for The Phantom of the Opera are higher than any film or stage play in history. It has made its home at Her Majesty's Theatre, London in 1986 which means it's now been playing for 34 years and has done more than 13,900 performances. Undoubtedly The Phantom of the Opera is one of Andrew Lloyd Webbers biggest musical successes. 
The musical has one of the most romantic, haunting and soaring scores of all times; including familiar songs like All I Ask of You, Music of the Night and the unforgettable title song. Phantom of the Opera is actually one of the more "traditional" musicals that I haven't actually seen before. I suppose individually it was a show I was ever naturally pulled towards but I was keen to see the show for myself. This exciting new touring production is Cameron Mackintosh's fourth take on the show and it proves to be as gorgeous and memorable as the audiences say. 
Phantom of the Opera tells the tale of a disfigured musical genius known only as 'The Phantom', he haunts the deep depths of the Paris Opera House. He becomes mesmerised by the talents and natural beauty of a young soprano - Christine. The Phantom lures her as his protege and falls madly in love with her. He is unaware of Christine's love for Raoul, the Phantom's obsession sets the scene for a dramatic turn of events where not only jealously but madness and passion collide with one another in spectacular style. Wearing the iconic Phantom mask is Killian Donnelly who instantly draws in the auditorium with his distinct presence as the mysterious figure within the wings. Donnelly does an excellent job of showing the Phantom's incapability of giving others love and freedom, but there's an underlying desire to change live a normal life that he compliments so well within his performance. His vocals are incredibly sharp and warming too, I was so captivated by his character that I couldn't look beyond him. 

 Standing beside him as Christine Daaéi is Holly-Anne Hull who is spellbinding as the female protagonist in the story. Holly-Anne compliments the kind and compassionate characteristics of Christine well. Her vocal ability is sublime and she displays a true commitment to the role, she's a superb performer through and through. 



This UK tour is done on such a tremendous scale that it feels as though you are in the Majesty's Theatre, the entire Curve stage has completely been transformed for this touring production and it fits like a glove. The entire set design is glorious and takes your attention immediately, especially the glorious chandelier that hangs above the audience and becomes a centre point in the story. The title song number is without a shadow of the doubt, one of the most breathtaking numbers in the show, showcasing the depths creatives go to in order to create iconic scenes within the story. The mist and candles that rose from the floor of the space really enhanced the stage area and it almost looked infinite. 

 Another stand out musical number within this show is Masquerade, it's an epic way to begin the second half with an enormous staircase and performers dressed in their absolute finest. The spectacular costumes in this number are striking and so individually beautiful to look at. The choreography in this number is also incredibly slick and well-rehearsed through every breath. 

 The Phantom of the Opera is known for its magnificent vocals and this show left goosebumps on my arms for its entirety. The capacity and volume of which this musical possesses are incredible and now I understand people's admiration and love for this show on a more personal level. 

 The Phantom of the Opera is just haunting but stunning all the same. I felt like I needed to remind myself that we were in fact in Leicester and not in London at this show. It was incredible from start to finish! It's one touring production YOU MUST see this year! 

 The Phantom of the Opera UK Tour is playing at Curve Theatre, Leicester until 21 March before embarking to 8 other venues. You can find out more by visiting this website.
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04 March in ,

REVIEW | The Sound of Music, LAOS


The Sound of Music 
Loughborough Town Hall ★★★★★

One of Loughborough's well-established amateur theatre companies, LAOS takes on one of Rodgers and Hammerstein II's most loved musicals, The Sound of Music as their first production in 2020. I am extremely fond of the show as some of my earliest memories of this musical are watching it on VHS with my grandparents. I most certainly gave it a lot of love and would often choose it from their movie cupboard when I spent time with them. The show is definitely one that sits within a special place in my heart. 

Probably most known for the 1965 film which starred Julie Andrews, The Sound of Music became the fifth highest grossing film of all time. Based on a memoir of Maria von Trapp, we are transported to 1938 Austria on the eve of Nazi Germany taking its stronghold on the country. Those who are unaware of the story, it centres around a spirited and gentle young woman, Maria. Maria has bold ambition of becoming a nun but it is derailed when she becomes governess to the formidable von Trapp children. The children quickly takes a hold of Maria's attention, and it's not long before she falls not only in love with the children but their widowed father. The stern Captain von Trapp. He is ordered to accept an order to join the German navy, but he opposes the Nazis and their overwhelming hold over Austria and its people.

It's no doubt in my mind that this production was far more enjoyable than watching the Sound of Music UK tour a few years ago. The level of professionalism and creativity that has been injected into this show is clearly demonstrated, it was no surprise then that the audience warmed easily to the recognisable characters and the unforgettable sound score. I couldn't stop looking at older people in the audience who tapped along to the music and wore smiles on throughout the show.




This production includes the recognisable sound score, including Do Re Mi, Climb Ev'ry Mountain and Sixteen Going on Seventeen. Thanks to the 17 piece orchestra this soundtrack came alive with an incredible impact on the entire production. The LAOS creative team are embedded within the show as performers too, showing their true commitment to the success of their shows.

Collectively the cast is well-rehearsed and executes the musical well. Each member contributes well to the level of professionalism and beautiful vocal ability in order to reach the more difficult musical numbers within the show. Although this production is quite lengthy, LAOS have managed to create something which moves at a comfortable pace without losing the main threads, and the wonderful snippets of humour integrated into some of the scenes too.

At the helm as the leading lady, Sarah Hender is west end worthy at Maria. She perfectly captures the spirit and delicacy of Maria's character, with gorgeous vocal tones in there too. Hender has a natural motherly instinct and connection with the children that is really endearing within the story, as well as managing to take a hold of centre stage whenever she is on. Jeremy Malpas stands well beside her as the proud and loyal gentleman that Captain von Trapp is. Malpas manages to capture the loyalty to Austria and the protection over his family which the Captain poccesses as well as the more sensitive sides that are so pinnacle to the story. Of course, The Sound of Music wouldn't be without the 7 von Trapp children and my goodness this bunch knew how to steal the show. The local young children are well rehearsed and professional through every breath of their performance and the audience fell in love with their charm instantly. Each child encapsulated their individual character well and their performance of Do Re Mi was definitely my favourite of the evening. 

LAOS provided me with a heartwarming night at the theatre needed to welcome in Spring.


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20 February in ,

REVIEW | A Monster Calls.


A MONSTER CALLS
THEATRE ROYAL, NOTTINGHAM
★★★★★

Watching a novel come to life in the theatre is sometimes one of the most transforming experiences you can go through. Patrick Ness's piercing novel A Monster Calls has sold millions but there is also a film adaption. Director Sally Cookson has taken this moving story and brought it vividly to life in a stage production like none other. The play already won an Olivier Award and is set to be one of the best plays to surface in a UK tour in 2020. 

At the centre of the story is Conor, a lonely 13-year-old boy. Not only is he being bullied by the kids at school, but he is also coping with the decline of his mother's health to cancer. His grandmother won't stop interfering and the relationship with his dad is quite estranged. He's going through a lot, and there's a fear dug way down deep into his soul that he carries as a burden through every day. But one night Conor is woken by something at his window. The ancient yew tree that sits in their garden comes to life and a monster has come walking. It has come to tell Conor 3 tales from when it walked before. When he has finished, it's down to Conor to tell his own story and face his deepest fears. 

A Monster Calls is undoubtedly one of the most visually stunning productions I've ever laid my eyes on. The use of physical theatre oozes personality and fierce emotional portrayal, whilst the original music and use of the actor's voice for sound adds ambience to the entire show. The actors are sat at the side of the stage for a large proportion of the show and are very much in the midst of all of the action. The use of chairs, rope and other props are helped largely by the striking projections on the space at the back. The rope plays an important part in representing how our life is connected by different threads and experiences. It takes the different roles of support and threat that is hauntingly memorisisng for the audience. At the back of the space is where the musical score is also played from, live in this production. The original score sits well alongside this moving story and completely captivates the emotions. 




The cast is superb in delivering the different tones and emotional turmoil experienced surrounding people whose loved one is terminally ill. Ammar Duffus who plays Conor barely leaves the stage in this show, his portrayal is honest and raw in every breath and we are all carried with him on his journey.  You could really sense the rollercoaster of emotions a young person would go through and Duffas delivered an exceptional performance around its sensitive context. 

Taking on the role of the Monster is Keith Gilmore who gives an inviorgating performance. He exhausts the audience as he races around the space, showing his natural circus abilities on the ropes and amplifies his voice into the audience that leaves you with goosebumps. 



Collectively the performing company do a superb job in bringing this breathtaking and much-loved story to life. The silence at the end of the production, broken by sniffles before thunderous applause is in itself shows how captivated people were by Conor's story. It's an exhilarating piece of theatre but also increasingly aware of the sensitivity surrounding the subject matter in A Monster Calls. Not only should this production be a must-see for its visually beautiful look but because it's a breathtaking performance. I was captivated from start to finish and it's a show that will be treasured by everyone who sees it.

You can watch A Monster Calls at the Theatre Royal, Nottingham until 22 Feb. You can also catch it at the Belgrade Theatre between 3-7 March. You can find out more and book your tickets here.
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30 November in ,

REVIEW | West Side Story, Curve Theatre


West Side Story 
Curve Theatre, Leicester 
★★★★★

 Curve Theatre's 2019 Christmas production of West Side Story is quite possibly the best yet from the Made at Curve creatives. With some of the finest music ever composed for the stage, set around an incredibly moving love story, it's an emotional and exhilarating rollercoaster that you'll be eager to get seats on. Known for being a modern take on the tragic love story, Romeo and Juliet, West Side Story was written by Arthur Laurent who used New York as the backdrop. Although this story feels like something you'd see on the daily news today. Set in the urban streets of the city that never sleeps, "gang warfare" is rife and society is split. 

The Romeo of this story is Tony (Jamie Muscato), once the leader of the Jets, a juvenile gang exclusive to the children of immigrants from Europe. His Juliet, Maria (Adriana Ivelisse), is the sister of the big boss of the Sharks, a rival gang made up of youngsters from Puerto Rico. The tragedy in the story comes when the Sharks' leader resorts to a knife to beat a Jet in a fight. Both boys end up dead, and Tony goes on the run after murdering Maria's brother. Before we see the finale, Tony too falls victim to the foolish, wasteful children's games that have, in this day and age, continue to shock and anger our society.

West Side Story is a musical that most definitely stands the state of time, especially more so when it became a film. Jerome Robbins' delivered the effective screen remake is definitely what gave this musical the international reputation it deserved. It's definitely the songs which helped to put the seal on this musical's status.




Curve has done a remarkable job with this classic, without losing the very elements that the audience remember it for in superb style and it was genuinely one of the best productions of our time. The orchestra was euphoric in delivering Leonard's Bernstein's iconic score, it brought chills, especially in the more intense moments of the story.

West Side Story catapulted dance which hadn't been seen on the musical stage before , in fact, it's what I have always loved most about this musical. Ellen Kane does an incredible here in putting the style and energy from the 1950s musical but given it something so new and exciting for the audience. It was exhausting watching those performers move through the popular numbers like America and Cool with the fluidity, detail and energy they did.

 Nikolai Foster has taken this musical and created something that will excite audiences in the local communities but further afield too. There's so much energy and passion in how West Side Story is delivered, remembering that for many people seeing this production will know it well and will want to see it done well! The set by Michael Taylor has been crafted to move as quickly as the story which unfolds. A moveable three-storey creation, metal fences and a huge pile of trash are the perfect antidotes for creating the intense environment which we immerse ourselves in during the production.



The cast put on what is an unforgettable performance, the 20-strong cast fill the space with their spirit for this tragic story and they have a genuine passion for this production that is clearly demonstrated. Jamie Muscato is superb as Tony, his rendition of Maria was endearing and really loving. Adriana Ivelisse is impeccable as Maria. Both actors aligned perfectly in their vocals and had natural chemistry as the tragic love characters.

The rival gangs did a sublime job at executing the fight scenes, there had clearly been a lot of time taken into portraying their conflict between one another. If you are looking for a more light-hearted number in this production, Gee, Officer Krupke is highly entertaining but with a serious message at its heart.

West Side Story is my favourite production at the Curve and has reignited my love for this musical all over again. It's top-class through and through, a superb job. Although it is jam-packed with high-energy choreographic and a tragic love story, it sheds a light on gang violence and the need for it to seize in our country. This musical couldn't come at a more fitting time to show what gang violence does to those around people.

West Side Story is performing at Curve Theatre, Leicester until 11 January 2020. 





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26 November in ,

REVIEW | We Will Rock You, UK Tour


We Will Rock You 
UK Tour
★★★★

 It's been 5 years since the popular jukebox musical We Will Rock You left the West End. Listed up there as one of the top 10 longest-running shows in London, it left a void when it was announced that it would close after 4600 performances, many awards (including Best Musical Show) and 12 years in the Dominion Theatre. Like the story itself, We Will Rock You has been brought back to life for a new UK Tour with a lot of new ideas on how they would present this production. 

 A lot hasn't changed in the 5 years; the same storyline, influential characters and electric song score are still there. More than 20 songs from one of the biggest bands of all time, Queen and the main thread throughout the show is still there and more powerful than ever. The writing of this musical has definitely had some new additions added into it that keep in time with the times effectively for the audience. Despite a 20-minute break in our performance due to a technical difficulty, the show did go on and this cast knew how to rock right until the very last beat. 

 This futuristic world where rock'n'roll has died is held onto tightly by the fingertips of a group of bohemians, desperate to keep the memories of iconic musicians alive! The world we know has long gone and it's the internet and social media which takes the front seat in society. Everyone now thinks, dresses and acts the same in this new world and musical instruments and composers are strictly forbidden here. The bohemians are influenced by those big pop stars, Britney Spears, David Bowie and Lady Gaga are just a few which help keep their reputation present. 


We Will Rock You served as a great reminder on why it was such a big hit amongst audiences around the world, it's truly fantastic from start to finish. The presentation of this new UK Tour is brilliant at utilising all of the best visual projections on offer in theatre. I loved how the projections brought to life specific scenes in the story, although at the time they personally made me feel slightly motion sick. The set-up on the stage itself was simplistic and it was the eye-catching visuals that made up for that.

This entire cast is spectacular in delivering their performance, particularly within the ensemble who executed the rapid choreographic style created for this production. Michael McKell (Buddy) was a natural hit with the audience and very funny too! Ian McIntosh was charming and packed with strong vocals as Galileo. A particular favourite performance was from Jenny O'Leary who really came into her own as the powerful and feisty as the Killer Queen, she was excellent with her vocals too! What a voice! Amy Di Bartolomeo also gave us a fabulous performance (with incredible vocals) as Oz. There wasn't anything within the casting that wasn't as strong as the other.

We Will Rock You is perfect for those who want to keep the memory of Queen's iconic music alive and to enjoy a jukebox musical that is fantastic through and through!

You can find out more about the We Will Rock You UK Tour Dates here.
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24 November in ,

REVIEW | Sleeping Beauty, Nottingham Playhouse

Photo Credit: Pamela Raith Photography
Sleeping Beauty 
Nottingham Playhouse
★★★★★

 With only 31 days left to go until the big day (Christmas!) it's time for the season of mince pies, mulled wine and snuggling up on the sofa. However, it's also the season for pantomimes and we have got to a cracking start thanks to Nottingham Playhouse. 

 If you are looking for a panto that involves a lot of the festive traditions a pantomime should have; great music and a simple to follow storyline then Sleeping Beauty at the Nottingham Playhouse is definitely the one you need to be booking tickets for this season. What I loved most about this storyline was that it was perfect for the younger audience or people who hadn't experienced a pantomime before to enjoy. Sleeping Beauty is a jam-packed production with slapstick comedy, sparkling costumes, stunning sets, electric choreography and something for everyone. 

 Returning to Nottingham Playhouse is Tim Frater (Jerry the Jester), Rebecca Little (Queen Gertrude) and Darren Southworth (King Hubert). The unmissable and delightful John Elkington returns for his 20th pantomime in Nottingham in the role of Nurse Tilly Trott. There's also superb new talent in the cast including Maddie Harper (Princess Rosalind) alongside Louise Dalton as the dashing Prince Alexander. The good Fairy Wisheart is played by Lisa Ambalavanar and taking on all of the boos and hisses from the audience as the bad fairy Maleficent is Toyin Ayedun-Alasa. 



The classic story of Sleeping Beauty is really brought to life on Nottingham's stage and it's familiar to all, even with the added extra of some modern references like the musical numbers and gags. It tells the story of Princess Rosalind, who pricks her finger on evil fairy Maleficent's spinning wheel and sending her into a deep sleep along with the rest of her kingdom. It's then down to brave Prince Alexander, Jerry the Jester and Fairy Wisheart to save the kingdom and foil the evil fairy's wicked plans. 

Nottingham Playhouse has created a stellar of a pantomime this Christmas and the standard is fantastic. We laughed, sang along and participated with absolutely everything with ease. Rocking All Over The World was a definite hit with the audience who cried "more" repeatedly, much to the amusement of the cast! John Elkington is undeniably a natural as the Dame and receives quite the reception from his home crowd when he first enters the stage. He delivers his comedy timing with ease and his dresses are as fabulous and extravagant as he is within his character! He is really fantastic and gave us lots of laughs! Toyin Ayedun-Alasa is exceptionally wicked at Maleficent and manages to execute the cruel ways of her characters whilst dealing with a very europhic audience for a Saturday night!




Maddie Harper (Princess Rosalind) and Louise Dalton (Prince Alexander) are great in their principal roles and their great vocal ranges are very similar. They're also very good at the choreography and they gave a lot more to numbers I would usually see sung just stood on stage - they gave life to the musical numbers and I loved that!

Their chorus for this production are a little older than what you'd usually expect in a pantomime but this helps to give more of a professional finish. All of the young people performing execute some quite quick choreography well and help to bring life to the musical numbers - they have definitely been well-rehearsed and prepared for what a pantomime entails.

You won't be able to keep your eyes off Tim Frater who is quite the energetic mover as Jerry the Jester and a firm favourite with the families in the audience! I definitely expected him to participate in more of the pantomime but his input and delivery was excellent.

Sleeping Beauty as a whole is a pantomime that definitely delivers!

I would definitely urge that you book tickets for this pantomime this Christmas! Itis performing until Sat 11 January and is the perfect night out with your family during the festive season! Book your tickets by visiting the website here. 
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29 October in ,

REVIEW | Priscilla, Queen of the Desert UK Tour


 Priscilla, Queen of the Desert
Curve Theatre, Leicester
★★★★★

 There really was a lot of glitter and noise coming from the Curve Theatre, Leicester when a battered old bus arrived along with 3 of the most eccentric drag queens from Australia. Priscilla: Queen of the Desert is a funny and poignant road-trip for the 3 drag queens, who all aboard 'Priscilla' on their own individual journeys of self-discovery. The foundations of this show come from the 1994 film that became a cult classic, a pioneering LGBTQ+ comedy and also found a successful home on the stage too over the years. This adapted musical tour has been given a fresh lick of paint as Jason Donovan takes the chair as producer for this, with plenty of sparkles and depth too.

Priscilla: The Queen of the Desert begins with Tick (2017 Strictly Come Dancing winner Joe McFadden) a drag artist who is offered an important show spot in Alice Springs. He manages to persuade his friends, Bernadette and Adam to accompany him in 'Priscilla', a battered old bus. We soon figure out that there's another reason for this journey and it warms right at the heart. He wants to meet his son who he has never met.

This journey isn't straight forward as the men encounter prejudice and unexpected kindness within the communities they pass through. Some moments are really uncomfortable to witness but their reference to these battles is met sensitively. What isn't forgotten is the fantastic warmth in uniting together as a family too.

Joe McFadden does a great job in drawing the audience into a likeable portrayal of Tick. He had a fantastic portrayal of a doting father and driven entertainer in him, although he wasn't the strongest drag queen on the stage. Miles Western oozes self-assurance in his trans character Bernadette and brings sublime dignity in delivering his lines full of wit. Nick Hayes is spectacular as the flamboyant Adam. He has a great sense of provocative, sass and gorgeous bum cheeks! I love how each of the characters balanced one another out in their strengths in nailing the vocals and fast-paced choreography.

What was so brilliant about this production was all of the humour packed in too, Priscilla Queen of the Desert is full to the side wings with it! I don't remember the last time I really laughed out loud at a show.



This musical is fantastic from start to finish and is supported by their fabulous ensemble cast. They bring serious levels of energy to the song and dance numbers. They are expeditious performers and clearly bring a lot of passion through every breath of their performance. Aiesha Pease, Claudia Kariuki and Rosie Glossop deserve a special mention as a trio of 'Divas'. They have a powerful impact on the musical numbers with their slick sass and attitude, along with powerhouse vocals to really raise the roof. They reminded me a lot of the trio of women in Little Shop of Horrors and they brought huge oomph to the entire production.

Read more: Q&A with Jason Donovan, Director of Priscilla Queen of the Desert 2019 UK Tour.

The musical score is unforgettable and non-stop in this show. For the audience it's a fantastic collection of disco classics that really gets you going. 'It's Raining Men' and 'I Will Survive' are some of my favourites but 'Color My World' sticks with me long after the curtain goes on on the finale. The atmosphere in this musical is europhic and will lift you right up! The audience were quick to get onto their feet for this talented touring cast.

If you're a fan of Kinky Boots then Priscilla, Queen of the Desert is definitely one to add onto your to-see show list! It's a fantastic example of celebrating LGBTQ+ and giving it another opportunity to be raised and colour your world. It's also a fun-packed evening for you to enjoy with your girl pals!










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27 October in ,

REVIEW | Unfortunate: The Untold Story of Ursula the Sea Witch



Unfortunate: The Untold Story of Ursula the Sea Witch
Curve Theatre, Leicester
★★★★★

 At the Curve Theatre this Autumn was the New Work Festival - formally known as Inside Out. Across the 10 days in October productions and activities for all ages have taken over the spaces in the theatre. New Work Festival both supports and shows the most dynamic and exciting talent from across the Midlands. This year's line up also included several performances direct from this summer's Edinburgh Fringe Festival. 

 What's more, is this year The Difference Engine has been introduced in selected performances. Created by Talking Birds' this new tool makes events and performances accessible to partially-sighted, deaf or hard of hearing audience members by delivering captioning or audio description direct to your mobile device. The performances of Unfortunate were both using this tool and I definitely wish I had more phone battery so I could have trailed it for myself! 

 One of the performances I managed to see of the festival came directly from a sell-out run at Edinburgh Fringe Festival, Unfortunate: The Untold Story of Ursula the Sea Witch. Fat Rascal Theatre is a well-renowned company who produce new musical theatre productions and have created 6 brand-new musicals in two years, including Buzz and Vulvarine. I heard a lot of hype surrounding this production from the streets of Edinburgh so was delighted to see they were coming to Leicester with a new innovative for a story we all know so well (or so we thought!).  

 It's important to say here that The Little Mermaid is possibly my favourite Disney movie ever but I loved this production and thought it was h i l a r i o u s! 

Unfortunate is full to the brim with hilarious lyrics, catchy songs and a really cleverly crafted new narrative. This production takes on Ursula's story; the iconic villain from Disney's The Little Mermaid. The show is only 80 minutes long but we dive into an alternative story that doesn't contain a lot of PG friendly material. It shows similarities to Wicked in that we witness a different to a popular villain and Fat Rascal Theatre does this in style. 

There is also some cleverly thought out modern references incorporated into the story, particularly important topics like the growing numbers of plastics in our oceans. 

The small cast of 5 is outstanding in this show - each bringing snappy comedy timing and brilliant characteristics to their roles. Hats off to Allie Munro, Jamie Mawson, Katie Wells and Steffan Rizzi for playing multiple roles and the slick transitions through these that were superb. With a musical that was so fast-paced they really kept up with the tempo. Robyn Grant makes the Ursula role her own as she provides spectacular sass and glam to the character. Grant does an excellent job in showing her more sensitive side too! 

Unfortunate gives Ursula the spotlight she deserves. Beneath the surface of the parody and the fun is an important message of valuing your voice and love the skin you are in. Make sure you watch this musical whilst you still have the chance!

Unfortunate: The Untold Story of Ursula the Sea Witch is performing next at Theatre Deli, Sheffield 10-14 December and Birmingham Hippodrome 16-22 December. 
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24 October in ,

REVIEW | Fame, UK Tour


Fame
Leicester Haymarket Theatre
★★★ 1/2 

 Fame is most certainly a name you'll remember (I hope that wasn't too on the nose?). To mark the 30th anniversary of the stage show, the musical is back under the direction of Nick Winston. The show means a lot to people aware of it and its history - if you know it then you've been connected to it somehow. It was one of the first productions I saw professionally and it always serves as a reminder of the 18-year old I was who had big dreams of becoming a professional dancer. In the show, we go on a journey with aspirational teenagers as they pursue their dreams at a prestigious performing arts school in New York City. 

 Fame is a household name on the stage with many productions on each level from school to professionally across the UK over the years. This new UK touring production definitely delivers a new direction that captures the level of energy needed for these determined individuals. In terms of storyline, Fame for me is quite weak as it's based around different individuals and their journeys. But what it doesn't have in the story, it definitely makes up for with the musical numbers. Nick Winston's clear cut choreographic is perfectly aligned to Fame, right through to the fingertips. There are some real punch and attitude in the movement, especially for the more fast-paced numbers Fame has within it. 

 Collectively this was one of the better productions where I have seen actors take on a fresh rendition of characters we've known for so long, but could be seeing for the very first time. Molly McGuire is superb as Serena, particularly as she brings a dorky kind of energy that works so well. Her vocals are gorgeous and I think she was a real surprise for the audience.

Josie Benson has recently taken on the role of Miss Sherman and she captures the principal's stern side well. The room gave thunderous applause in response to her rendition of 'These Are My Children' offering a more sensitive side to the character too. 

 Jamal Kane Crawford does a fabulous job at portraying Tyrone's vulnerability and struggles in the performing arts school. He has excellent movement talent but his portrayal in his speech delivery is captured well. His chemistry with Iris (Jorgie Porter) is executed beautifully - especially when we see the pair dance together and confront one another about their individual struggles outside of the dance studio. Jorgie Porter is delightful as Iris and she definitely suited this character well. She delivers a believable ballet dancer poise and grace as she slides across the stage. She throws herself into all of the big musical numbers too and hits the movement in perfect timing. She shows different sides of Iris' character really well and has most certainly worked on the character development consistently. 

 Shining as Carmen is Stephanie Rojas. Stephanie does a brilliant job of taking us on Carmen's journey as she elevates to a diva but then hits ground bottom. It's a fantastic portrayal of how cut-throat the performing arts industry can be and her performance of "In L.A" most certainly captures that. She takes us to the edges of her vulnerability and sadness at not making it quite there. She definitely draws you in with her excellent energy within the musical numbers and vocal range too! 

For me, Nick played by Keith Jack was my least likeable character. I couldn't connect with him at all throughout the production. 



Nick Winston has directed a production which captures a lot of the elements that over the years have been lost - particularly in the musical numbers but has also added some contemporary ingredients which help lift it up too. The production has been stretched to make it more accessible and entertaining for its audiences, proving that time doesn't age Fame. The eye-catching stage design from Morgan Large really expands the space. The stage is black except for colourfully lit headshots acting as scenery. The scenes do transport easily between different scenes in and around the performing arts school thanks to some detachable stairs and a helpful use of props. The costumes are very 1980s "Fame" and I love that - adding a great touch of the musical's foundations without feeling as though it's lost in time.

I definitely think elements of the show could be better but that's down to the original book. As mentioned before the story is quite flat in terms of "dramatics" and it could be told in a few minutes without the musical numbers.

Having said that I love what Nick has crafted in making the production fun, fresh and memorable to see. I'd definitely give it a chance, especially for those people who are new to theatre and want to see something with so much history!

Fame the Musical is touring around the UK until November 2019. 


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